Photography magazine

Fovéa

A magazine for authored photography, writing and photographic practice in Tunisia.

Fovéa No. 7 - Ramadan SpecialLatest issueFovéa No. 7 - Ramadan SpecialAugust 2025

Fovéa is a bimonthly photography magazine published online and also shared as a PDF. This fanzine, produced by enthusiasts, contains no advertising pages or inserts. Each issue therefore offers more than 100 pages of writing, photographs, articles, news, thematic sections and echoes from photography clubs. It was launched by Hamideddine Bouali, then joined by other passionate photographers and writers, including Pierre Gassin and Tarek Mrad, with Atef Ouni and Safieddine Bouali handling proofreading and corrections, and, in the most recent issues, by younger contributors as well.

A magazine rooted in the local scene

While the first issue was made up largely of material drawn from the international press, later issues of Fovéa were progressively enriched by local contributors. New sections appeared, giving the publication a broad panorama of varied information capable of appealing to a wide readership.

Fovéa’s main distinction from foreign photography magazines, especially French-language titles available on Tunisian newsstands or online, is its focus on subjects dealing primarily with Tunisia. Even technical and historical sections begin from a local point of view, giving readers tailored tips, advice and information that are difficult to find elsewhere and, above all, free of charge.

Author photography as an editorial line

From its first issue, Fovéa adopted a guiding principle: to speak about photography from the perspective of authored photography. Calls for contributions therefore required image portfolios to be accompanied by writing. Not merely titles or captions, but substantial texts.

Fovéa came to fill a gap in Tunisia’s photographic world, a small scene perhaps, but a remarkably dynamic one.

Newsstand

All 7 issues

Fovéa No. 1 - The Olympic Feat
Issue 1 · August 2024

Fovéa No. 1 - The Olympic Feat

The first issue is made up mainly of international material, with strict respect for the attribution of authors, photographers and sources. This sports special, with extensive coverage of the finest photographs from the Paris Olympic Games, is illustrated by striking images, many of them making full use of the technical possibilities available to professional photographers. Alongside the athletes’ records and performances, Fovéa highlights the photographers’ own feats: bold multiple exposures, remarkable post-production and vertiginous points of view.

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Fovéa No. 2 - Tunis, World City
Issue 2 · October 2024

Fovéa No. 2 - Tunis, World City

After the success of the first issue, the second continues in the same spirit with a thematic section devoted to Tunis. An earlier call for contributions allowed dozens of photographers to show their own vision of the capital: traditional Tunis, restless Tunis, intimate Tunis or folkloric Tunis. The result is a rare and striking album. This Tunis special also takes readers back into the past, examining what lies behind an old Tunis postcard and searching for the earliest photograph made in the city.

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Fovéa No. 3 - Offbeat Vision
Issue 3 · December 2024

Fovéa No. 3 - Offbeat Vision

‘Offbeat Vision’ was interpreted in very different ways by those who answered the usual call for contributions, producing a particularly unusual issue. Allons au cinéma, Jék el Bostagi, a Pierre Gassin ‘return of experience’ and several other sections enrich this third edition. On Facebook, Fovéa’s success was quickly visible in the number of people, from Tunisia and abroad, who praised both the current issue and the preceding ones.

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Fovéa No. 4 - Written Photography
Issue 4 · February 2025

Fovéa No. 4 - Written Photography

This issue of Fovéa gives pride of place to literature. The photographer speaks, confides, shouts, cries, laments and admits. Images are accompanied by writing; photographers who write are rare, and necessarily better for it. In the other sections, now eagerly awaited by regular readers, Pierre Gassin offers useful advice on how to value and price one’s photography through his ‘return of experience’, while Tarek M’rad sounds the alarm and urges us to slow down and think before buying the latest audiovisual technology.

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Fovéa No. 5 - Escape
Issue 5 · April 2025

Fovéa No. 5 - Escape

Escape is the guiding thread of this fifth issue of Fovéa. Its contents read like the brochure of a magical travel agency offering extraordinary journeys: the light of the Tunisian Sahara, the lively alleys of Naples, the colours of Thai temples, the surprises of Lisbon’s neighbourhoods, the dance of Kerkennah’s boats, the ghostly landscapes of Adrar in Mauritania, and even a bivouac beside the Sea of Tranquillity, high above on the Moon.

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Fovéa No. 6 - Winter Special
Issue 6 · June 2025

Fovéa No. 6 - Winter Special

Winter is rarely treated as a theme in Tunisia, whether by photography clubs or by Facebook pages and groups. It might sound unexciting, yet readers took part in large numbers, contributing varied and picturesque visions. New sections brought a more scholarly dimension to this sixth issue. Nour Elhouda Jallouli’s ‘Campus’ makes university research connected with photography available to the public. Photogramme gives Iliadha BM a purely literary carte blanche to write about a photograph that moved her. Architecture students Maram Boulakbech and Aziz Boutrif explore Tunisian heritage through its most emblematic monuments. Chawki Dachraoui, Pierre Gassin and Tarek M’rad continue to offer readers intelligent, enjoyable and genuinely useful reading.

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Fovéa No. 7 - Ramadan Special
Issue 7 · August 2025

Fovéa No. 7 - Ramadan Special

A Ramadan special naturally imposed itself because of the publication calendar. As with previous issues, the mailbox filled with strong submissions answering the call for contributions launched on Facebook. The issue offers an objective look at what is distinctive about Ramadan in Tunisia and elsewhere: moments of devotion and prayer, family or neighbourhood gatherings around the table at the breaking of the fast, richly stocked market stalls and much more. After a long investigation, Hamideddine Bouali introduces Abdelhak El Ouertani, the first Tunisian Arab photographer, and recounts his tragic fate.

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